File:Geertgen tot Sint Jans - Virgin and Child - WGA08518.jpg
原始文件 (850 × 1,143像素,文件大小:175 KB,MIME类型:image/jpeg)
摘要
海特亨·托特·圣扬斯:The Glorification of the Virgin | |||||||||||||||||||||||||
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艺术家 |
artist QS:P170,Q4233718,P1776,Q360888 |
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标题 | |||||||||||||||||||||||||
物体类型 | 画作 | ||||||||||||||||||||||||
艺术类型 | 宗教艺术 | ||||||||||||||||||||||||
描述 |
Inner right wing of a diptych. See for the inner left wing File:Geertgen Kruisiging Edinburg.jpg. |
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描绘人物 | |||||||||||||||||||||||||
日期 |
约1490年 date QS:P571,+1490-00-00T00:00:00Z/9,P1480,Q5727902 |
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表现形式 |
板上油画 medium QS:P186,Q296955;P186,Q106857709,P518,Q861259 |
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尺寸 |
高度:24.5厘米;宽度:20.5厘米 dimensions QS:P2048,24.5U174728 dimensions QS:P2049,20.5U174728 |
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藏于 |
institution QS:P195,Q679527 |
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现存地点 |
Room 05 |
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登录号 |
2450 (OK) |
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创作地点 | Northern Netherlands | ||||||||||||||||||||||||
收藏史 |
1949年前后 date QS:P,+1949-00-00T00:00:00Z/7,P1326,+1949-00-00T00:00:00Z/9 : Victor D. Spark (艺术品经销商), 纽约
1955年前后date QS:P,+1955-00-00T00:00:00Z/7,P1326,+1955-00-00T00:00:00Z/9 : Daniël George van Beuningen (1877-1955), 鹿特丹/Vierhouten
1958年: bequeathed to Museum Boijmans Van Beuningen, Rotterdam, by Daniël George van Beuningen, 鹿特丹/Vierhouten |
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展览史 |
Bourgondische pracht. Van Philips de Stoute tot Philips de Schone, Rijksmuseum, 阿姆斯特丹, 1951年7月28日–1951年10月1日, 目录编号 43, 没有图像. Kunstschatten uit Nederlandse verzamelingen, Museum Boymans, Rotterdam, 1955年6月19日–1955年9月25日, 目录编号 10. Middeleeuwse kunst der Noordelijke Nederlanden, Rijksmuseum, 阿姆斯特丹, 1958年6月28日–1958年9月28日, Cat.no. 14. Van Eyck to Bruegel, 1400-1550. Dutch and Flemish painting in the collection of the Museum Boymans-van Beuningen, Museum Boymans-van Beuningen, 鹿特丹, 1994年, ISBN 9789069181370, Cat.no. 13, p. 74-79. Gebed in schoonheid. Schatten van privé-devotie in Europa 1300-1500、阿姆斯特丹国家博物馆、阿姆斯特丹、1994年11月26日–1995年2月26日、 ISBN 9066304987、 p. 151-156. Vroege Hollanders. Schilderkunst van de late Middeleeuwen、Museum Boijmans Van Beuningen、鹿特丹、2008年2月16日–2008年5月25日、 ISBN 90-6918-225-4、 p. 121-125、 目录编号 14、 作为 Geertgen tot Sint Jans圈. |
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荣誉行 | Acquired with the collection of D.G. van Beuningen 1958 | ||||||||||||||||||||||||
参考 |
匿名Unknown author, Museum Boijmans Van Beuningen collection online, as Geertgen tot Sint Jans, The Glorification of the Virgin, 1490-1495, 24.5×20.5厘米. date QS:P,+1480-00-00T00:00:00Z/9,P1480,Q5727902 (?) (1470-1490), 高度:26.8厘米;宽度:20.5厘米dimensions QS:P2048,26.8U174728 dimensions QS:P2049,20.5U174728
匿名Unknown author, Bildindex der Kunst und Architektur, object 20042114, 作为 Geertgen tot Sint Jans, Verherrlichung Mariae, 约1490年date QS:P,+1490-00-00T00:00:00Z/9,P1480,Q5727902 , 高度:22.5厘米;宽度:18厘米dimensions QS:P2048,22.5U174728 dimensions QS:P2049,18U174728 匿名Unknown author, Web Gallery of Art, 作为 Geertgen tot Sint Jans, Virgin and Child, 1480年代 date QS:P,+1480-00-00T00:00:00Z/8 , 高度:27厘米;宽度:21厘米dimensions QS:P2048,27U174728 dimensions QS:P2049,21U174728 .Friedländer, Max J. (1969) Early Netherlandisch Painting. Volume V. Geertgen tot Sint Jans and Jerome Bosch, Leyden: A.W. Slijthof, Brussels: La Connaissance, p. , cat. Add. 139. |
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来源/摄影师 |
Web Gallery of Art: 图像 Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/g/geertgen/virgin_c.html" |
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其他版本 |
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许可协议
这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。”
因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。 |
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当前 | 2011年6月13日 (一) 09:18 | 850 × 1,143(175 KB) | JarektUploadBot | {{Artwork |artist = {{Creator:Geertgen Tot Sint Jans}} |title = Virgin and Child |description = |date = {{other date|s|1480}} |medium = {{Tempera on panel}} |dimensions = {{size|unit= |
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JPEG文件备注 | GEERTGEN tot Sint Jans
(b. 1460/65, Leiden, d. 1490, Haarlem) Virgin and Child 1480s Tempera on panel, 26,8 x 20,5 cm Museum Boijmans Van Beuningen, Rotterdam This small painting of the Madonna depicts a fragile female figure holding her newborn together with a vanquished dragon. The artist indicates her floating, vision-like quality with the use of fantastic lighting and an army of angels in concentric circles. By arranging the choir of angels in a manner reminiscent of spheres, it is also expressed that the infant Jesus in the centre of the picture is the ruler of the Universe. With a sweeping gesture and a look of concentration, the infant is shaking two bells, as if to be in concert with the angel doing the same thing on the left side of the picture. They are definitely looking at each other, and since they are the only two doing this, the action has special significance: it shows the "conductor" Jesus in the role of the universe's prime mover. Thus the painting clearly expresses a concept formulated by St Thomas Aquinas, according to which Jesus created the harmony of the spheres. In Geertgen's painting the three attributes of Mary (glory, sadness and joy) are represented by angels encircling the Madonna in three rings. The inner circle contains six-winged cherubs and seraphs. The angels of the second circle hold above the head of Mary the early Christian symbols of glorification, scrolls with the word "Sanctus" appearing on them three times. The rest bear the objects associated with the Passion: the cross, the crown of thorns, a spear, nails, a hammer, and a column. The outside circle presents a multitude of musical angels, symbolizing heavenly happiness. Here we can see nearly all of the instruments of the period: lutes, violas, double recorders, trumpets, drums, bells, horns, bagpipes, hurdy-gurdies, etc. The larger keyboard instruments are located in the corners; on the organ we can see the hand-operated bellows. Obviously, the painter did not intend to reproduce the image of a real orchestra, that is why he included instruments which were never used together.
Author: GEERTGEN tot Sint Jans Title: Virgin and Child Time-line: 1451-1500 School: Netherlandish Form: painting Type: religious |
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